tag:blogger.com,1999:blog-29412559.post2287377826900016914..comments2023-11-02T02:16:59.898-07:00Comments on PAUL AND JOHN REVIEW: High-Tech Tomorrow: Review of the Concentrator, Part One, By JohnathanSkeleton Munroehttp://www.blogger.com/profile/13562262356934465597noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-29412559.post-32913226076567158702008-09-12T17:12:00.000-07:002008-09-12T17:12:00.000-07:00Ha! Hair continuity!So that's why Mon-El's hair lo...Ha! Hair continuity!<BR/><BR/>So that's why Mon-El's hair looks so weird in this issue...Skeleton Munroehttps://www.blogger.com/profile/13562262356934465597noreply@blogger.comtag:blogger.com,1999:blog-29412559.post-87522004170439020722008-09-11T17:12:00.000-07:002008-09-11T17:12:00.000-07:00Bwah! Sweet post!John Forte's morbidly constipated...Bwah! Sweet post!<BR/><BR/>John Forte's morbidly constipated artwork makes my eyes feel like somebody has taken a cheese grater to them, but I'll give the guy props for this: he was a staunch believer in "hair continuity." In other words, if a Legion character had originally been drawn by some other artist, he would draw the character's hair in <I>precisely</I> the same style. Thus, Forte's Mon-El had the mechanically-tousled swoop that George Papp had given it back in "Superboy" #89. Likewise, his Ultra Boy retained the "edgy", juvenile delinquent cut that Curt Swan had first given him in "Superboy" #98. Okay, so it's a goofy sort of compliment, but I think it's neat that Forte thought about that stuff.Jeremy Rizzahttps://www.blogger.com/profile/08480479249595700846noreply@blogger.com